Life of Lord Byron
London, England
Died: April 19, 1824
Missolonghi, Greece
The English poet Lord Byron was one of the most important figures of the Romantic Movement (1785–1830; a period when English literature was full of virtuous heroes and themes of love and triumph). Because of his works, active life, and physical beauty he came to be considered the perfect image of the romantic poet-hero.
His beginnings:
George Gordon Noel Byron, sixth Baron Byron, was born on January 22, 1788, into a family of fast-decaying nobility. Captain "Mad Jack" Byron was a "gold digger," marrying Catherine Gordon chiefly for her annual income. After spending most of her money and fathering George, he died in 1791. George was left with an unbalanced mother, the contempt of his aristocratic relatives for the poor widow and her son, and a birth defect necessitating that he walk on the balls and toes of his feet for the rest of his life. All this worked together to hurt the boy's pride and sensitivity. This created in him a need for self-assertion, which he soon sought to gratify in three main directions: love, poetry, and action.
Despite the awkward way he walked and the numerous "remedies" that Byron suffered through, his boyhood was full of play and mischief. His favorite activities were riding and swimming, both sports where he was physically able. But he willingly played cricket, appointing a schoolmate to run for him. At eight years old he fell hopelessly in love with a cousin. At sixteen when he heard of her engagement he reportedly was physically ill. Though said by most of his peers and teachers to have been a genius, Byron was halfhearted in his schoolwork. But he read constantly. He had a strong appetite for information and a remarkable memory. Nevertheless his biography reports Byron as having been the ringleader of numerous school revolts. He spoke of his school friends as "passions."
On the death of his granduncle in 1798, Byron inherited the title and estate. After four years at Harrow (1801–1805), he went to Trinity College, Cambridge, where he became conscious for the first time of the difference between the high goals of idealism (romanticism) and the less important realities of experience. His quest for some genuine passion among the frail women of his world accounts for the crowded catalog of his love affairs.
Education:
Byron received his early formal education at Aberdeen Grammar School, and in August 1799 entered the school of Dr. William Glennie, in Dawlish. Placed under the care of a Dr. Bailey, he was encouraged to exercise in moderation but could not restrain himself from "violent" bouts in an attempt to overcompensate for his deformed foot. His mother interfered with his studies, often withdrawing him from school, with the result that he lacked discipline and his classical studies were neglected.
Byron spent three years at Trinity College, engaging in sexual escapades, boxing, horse riding, and gambling. While at Cambridge, he also formed lifelong friendships with men such as John Cam Hobhouse, who initiated him into the Cambridge Whig Club, which endorsed liberal politics, and Francis Hodgson, a Fellow at King's College, with whom he corresponded on literary and other matters until the end of his life.
Political career:
Byron first took his seat in the House of Lords 13 March 1809 but left London on 11 June 1809 for the Continent. Byron's association with the Holland House Whigs provided him with a discourse of liberty rooted in the Glorious Revolution of 1688.A strong advocate of social reform, he received particular praise as one of the few Parliamentary defenders of the Luddites: specifically, he was against a death penalty for Luddite "frame breakers" in Nottinghamshire, who destroyed textile machines that were putting them out of work. His first speech before the Lords, on 27 February 1812, was loaded with sarcastic references to the "benefits" of automation, which he saw as producing inferior material as well as putting people out of work, and concluded the proposed law was only missing two things to be effective: "Twelve Butchers for a Jury and a Jeffries for a Judge!". Byron's speech was officially recorded and printed in Hansard. He said later that he "spoke very violent sentences with a sort of modest impudence" and thought he came across as "a bit theatrical". The full text of the speech, which he had previously written out, was presented to Dallas in manuscript form and he quotes it in his work.
Two months later, in conjunction with the other Whigs, Byron made another impassioned speech before the House of Lords in support of Catholic emancipation. Byron expressed opposition to the established religion because it was unfair to people of other faiths.
His Major works:
Hours of Idleness (1807)
Lachin y Gair (1807)
English Bards and Scotch Reviewers (1809)
Childe Harold's Pilgrimage, Cantos I & II (1812)
The Two Foscari (1821)
Cain (1821)
The Vision of Judgment (1821)
Heaven and Earth (1821)
Werner (1822)
Poetic works:
Byron wrote prolifically. In 1832 his publisher, John Murray, released the complete works in 14 duodecimo volumes, including a life by Thomas Moore. Subsequent editions were released in 17 volumes, first published a year later, in 1833. An extensive collection of his works, including early editions and annotated manuscripts, is held within the John Murray Archive at the National Library of Scotland in Edinburgh.
- Don Juan
Byron's magnum opus, Don Juan, a poem spanning 17 cantos, ranks as one of the most important long poems published in England since John Milton's Paradise Lost. Byron published the first two cantos anonymously in 1819 after disputes with his regular publisher over the shocking nature of the poetry. By this time, he had been a famous poet for seven years, and when he self-published the beginning cantos, they were well received in some quarters. The poem was then released volume by volume through his regular publishing house .By 1822, cautious acceptance by the public had turned to outrage, and Byron's publisher refused to continue to publish the work. In Canto III of Don Juan, Byron expresses his detestation for poets such as William Wordsworth and Samuel Taylor Coleridge. In letters to Francis Hodgson, Byron referred to Wordsworth as "Turdsworth".
- Irish Avatar
Byron wrote the satirical pamphlet Irish Avatar after the royal visit by King George IV to Ireland. Byron criticized the attitudes displayed by the Irish people towards the Crown, an institution he perceived as oppressing them, and was dismayed by the positive reception George IV received during his visit. In the pamphlet, Byron lambasted Irish unionists and voiced muted support towards nationalistic sentiments in Ireland.
- Parthenon marbles
Byron was a bitter opponent of Lord Elgin's removal of the Parthenon marbles from Athens and "reacted with fury" when Elgin's agent gave him a tour of the Parthenon, during which he saw the spaces left by the missing friezes and metopes. He denounced Elgin's actions in his poem The Curse of Minerva and in Canto II (stanzas XI–XV) of Childe Harold's Pilgrimage.
Legacy and influence:
Byron is considered to be the first modern-style celebrity. His image as the personification of the Byronic hero fascinated the public, and his wife Annabella coined the term "By Romania" to refer to the commotion surrounding him. His self-awareness and personal promotion are seen as a beginning to what would become the modern rock star; he would instruct artists painting portraits of him not to paint him with pen or book in hand, but as a "man of action. "While Byron first welcomed fame, he later turned from it by going into voluntary exile from Britain.
Biographies were distorted by the burning of Byron's memoir in the offices of his publisher, John Murray, a month after his death and the suppression of details of Byron's bisexuality by subsequent heads of the firm (which held the richest Byron archive). As late as the 1950s, scholar Leslie Marchand was expressly forbidden by the Murray company to reveal details of Byron's same-sex passions.
The re-founding of the Byron Society in 1971 reflected the fascination that many people had with Byron and his work. This society became very active, publishing an annual journal. Thirty-six Byron Societies function throughout the world, and an International Conference takes place annually.
Byron exercised a marked influence on Continental literature and art, and his reputation as a poet is higher in many European countries than in Britain, or America, although not as high as in his time, when he was widely thought to be the greatest poet in the world. Byron's writings also inspired many composers. Over forty operas have been based on his works, in addition to three operas about Byron himself (including Virgil Thomson's Lord Byron). His poetry was set to music by many Romantic composers, including Beethoven, Schubert, Rossini, Mendelssohn, Schumann and Carl Loewe. Among his greatest admirers was Hector Berlioz, whose operas and Memoirs reveal Byron's influence.
Byronic hero:
The figure of the Byronic hero pervades much of his work, and Byron himself is considered to epitomize many of the characteristics of this literary figure. In July 1823, Byron left Italy to join the Greek insurgents who were fighting a war of independence against the Ottoman Empire. On 19 April 1824 he died from fever at Missolonghi, in modern day Greece. His death was mourned throughout Britain. His body was brought back to England and buried at his ancestral home in Nottinghamshire.
The use of a Byronic hero by many authors and artists of the Romantic movement show Byron's influence during the 19th century and beyond, including the Brontë sisters. His philosophy was more durably influential in continental Europe than in England; Friedrich Nietzsche admired him, and the Byronic hero was echoed in Nietzsche's superman.
The Byronic hero presents an idealized, but flawed character whose attributes include: great talent; great passion; a distaste for society and social institutions; a lack of respect for rank and privilege (although possessing both); being thwarted in love by social constraint or death; rebellion; exile; an unsavory secret past; arrogance; overconfidence or lack of foresight; and, ultimately, a self-destructive manner. These types of characters have since become ubiquitous in literature and politics.
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His Death:
In July 1823, Byron left Italy to join the Greek insurgents who were fighting a war of independence against the Ottoman Empire. On 19 April 1824 he died from fever at Missolonghi, in modern day Greece. His death was mourned throughout Britain. His body was brought back to England and buried at his ancestral home in Nottinghamshire.
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